The Tempest - Schedule, Program & Tickets
The Tempest
Thomas Adès | Dirigent
Robert Lepage | Regie
Jasmine Catudal | Bühnenbild
Kym Barrett | Kostüme
Michel Beaulieu | Licht
David Leclerc | Video
Crystal Pite | Choreographie
Rebecca Blankenship | Musikalische Konsulentin
Gregory Anthony Fortner | Regieassistenz
Marie-Ève Pageau | Bühnenbildassistenz
Mark de Cost | Kostümassistenz
Katherine Cowie | Choreographische Assistenz
Adrian Eröd | Prospero
Audrey Luna | Ariel
Stephanie Houtzeel | Miranda
David Daniels | Trinculo
For the second time in its history, based on Shakespeare's The Tempest Opera of contemporary composers will be released at the Vienna State Opera: After the world premiere of Frank Martin's Opus in 1956 now follows - as osterreichische Erstaufführung - 14 June 2015, the musical version of the 1971 British-born Thomas Ades, who could, in contrast to most Musiktheaterneuschöpfungen in recent years to establish, very rapidly established itself internationally. In the house on the ring, as with the world premiere in London, the composer standing on the podium and "wanted übertragen the vision of Shakespeare as faithfully as possible in various on the Opernbühne" his three-act opera in which he personally introduced to the Viennese public.
Robert Lepage | Regie
Jasmine Catudal | Bühnenbild
Kym Barrett | Kostüme
Michel Beaulieu | Licht
David Leclerc | Video
Crystal Pite | Choreographie
Rebecca Blankenship | Musikalische Konsulentin
Gregory Anthony Fortner | Regieassistenz
Marie-Ève Pageau | Bühnenbildassistenz
Mark de Cost | Kostümassistenz
Katherine Cowie | Choreographische Assistenz
Adrian Eröd | Prospero
Audrey Luna | Ariel
Stephanie Houtzeel | Miranda
David Daniels | Trinculo
For the second time in its history, based on Shakespeare's The Tempest Opera of contemporary composers will be released at the Vienna State Opera: After the world premiere of Frank Martin's Opus in 1956 now follows - as osterreichische Erstaufführung - 14 June 2015, the musical version of the 1971 British-born Thomas Ades, who could, in contrast to most Musiktheaterneuschöpfungen in recent years to establish, very rapidly established itself internationally. In the house on the ring, as with the world premiere in London, the composer standing on the podium and "wanted übertragen the vision of Shakespeare as faithfully as possible in various on the Opernbühne" his three-act opera in which he personally introduced to the Viennese public.
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