Burgtheater Vienna – Schedule, Program & Tickets

Burgtheater

After the Comédie Francaise, the Burgtheater in Vienna is Europe’s second-oldest theatre. Today, the Burgtheater, originally known as the K. K. Hoftheater nächst der Burg, complete with its three affiliated venues – the Akademietheater, Kasino and Vestibül – and a permanent ensemble of more than 80 actors and actresses, is one of Europe’s largest theatres and plays a seminal role in the German-speaking theatrical world. Every season, the Burgtheater and its affiliated venues welcome approximately 400,000 theatre-goers to some 800 performances.
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Tu 20:00
Liliom

- Not available -

© Burgtheater Wien
Liliom ist Ausrufer beim Karussell im Vergnügungspark – ein lauter, grober und doch unwiderstehlicher Vorstadt-Casanova
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The actor and musician Nils Strunk creates a joyful, musical reflection on the magic of the stage and the power of togetherness with author Lukas Schrenk, a three-piece band and the ensemble. Mozart and Schikaneder would have turned in their graves.
Ein bizarrer Roadtrip und eine bitterböse Coming-Of-Age- Geschichte: 1966 wird in einem ostdeutschen Kreissaal ein Baby ohne erkennbares Geschlecht geboren
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Volksstück nach Erzählungen und einem Stückentwurf von Hella Wuolijoki
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© Burgtheater Wien
Deutschsprachige Erstaufführung
Deutsch von Daniel Kehlmann
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Copyright Reinhard Werner/Burgtheater
The night begins when a father threatens to kill his daughter. This drives two lovers into the Athenian forest, where they are bewitched by gender-indecipherable elves, so that each loves another. Craftsmen are also out in the forest to rehearse a tragedy involving a lion that is not to be feared. And the royal couple of the elves quarrel over an Indian boy and cause the rivers to overflow their banks...
Rosalinde, the old duke's daughter, disguises herself as a man to visit her father who is banished to the forests of Arden and to escape the violence of his brother, the power-hungry autocrat Frederick. Or does she rather want to seduce Orlando, who is also banned and has little experience in relationship issues, into a love game? As her alter ego Ganymede, she pretends to teach Orlando how to overcome his infatuation with herself, Rosalinde.
© Burgtheater Wien
Wer war Kaiserin Elisabeth von Österreich? Unter dem Namen Sisi wurde sie zu einer Projektionsfigur der Moderne, ähnlich wie Prinzessin Diana, Amy Winehouse oder Marilyn Monroe
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Prinz Hamlet weiß nicht, wie ihm geschieht. Vor nur zwei Monaten ist sein Vater gestorben und schon hat sich seine Mutter mit seinem Onkel Claudius vermählt, der nun der neue König von Dänemark ist
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von und mit Nicholas Ofczarek und Musikbanda Franui
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Violence as a political tool is back in popularity. “Whoever prevents me from defending myself kills me as well as if he attacked me,” says Robespierre. “Where self-defense ends, murder begins,” says Danton. What should happen next with the French Revolution almost four years after the storming of the Bastille? Should it be transformed into a republic that gives people all the freedom to live their lives, be happy or starve? Or must the revolution continue as a dictatorship until social equality is finally achieved, even if the reign of terror still claims many lives by then?
© Burgtheater Wien
Deutschsprachige Erstaufführung
Deutsch von Daniel Kehlmann
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Es lesen Caroline Peters und Martin Wuttke
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© Burgtheater Wien
Deutschsprachige Erstaufführung
Deutsch von Daniel Kehlmann
...
Volksstück nach Erzählungen und einem Stückentwurf von Hella Wuolijoki
...
Liliom ist Ausrufer beim Karussell im Vergnügungspark – ein lauter, grober und doch unwiderstehlicher Vorstadt-Casanova
...
“The empty promises of progress were nothing but spit in the faces of martyrs of all generations. If time is just a form of perception, or a category of reason, then the past is as present as the present. Cain continues to murder Abel. Still Nebuchadnezzar slaughters Zedekiah's sons and gouges out Zedekiah's eyes. The Kesheniev pogrom never ends. Jews are constantly being burned in Auschwitz. Those who do not have the courage to end their existence have only one way out: to kill their consciousness, to paralyze their memory, to erase the last trace of hope.” (Isaac B. Singer)
© Burgtheate Wien
Die Reise auf dem Passagierdampfer nach Buenos Aires beginnt heiter. Jazz-Musik erklingt auf dem Deck
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