La cenerentola - Schedule, Program & Tickets
La cenerentola
Text by Jacopo Ferretti
Dramma giocoso in two acts
Musical direction
Stefano Montanari
Staging
Sven-Eric Bechtolf
Stage
Rolf Glittenberg
Costumes
Marianne Glittenberg
Light
Jürgen Hoffmann
Don Ramiro
Dmitry Korchak
Dandini
Michael Arivony
Don Magnifico
Pietro Spagnoli
Angelina
Vasilisa Berzhanskaya
Clorinda
Maria Nazarova
Tisbe
Alma Neuhaus
Alidoro
Roberto Tagliavini
Contents
The list of Cinderella adaptations is long - no wonder, as generations of viewers were moved by the story of the unhappy stepdaughter, who is ultimately allowed to experience a happy ending. Why? Perhaps less because of the wealthy prince's "rescue" than because of the final affirmation that kindness and a pure heart can conquer all adversity. Gioachino Rossini secularized the fairytale-like, supernatural elements of the material and interspersed the French touching play that served as a model with socio-critical elements from the opera buffa tradition. His Cenerentola thus became a modern retelling of a well-known, old fairytale whose heroes have to prove themselves in the depths, injustices and absurdities of a disenchanted present. Musically, he created a so-called »semiseria«, i.e. a half-serious opera in which he mixed his brilliant buffo art with sentimental and occasionally even tragic tones. Sven-Eric Bechtolf's staging shifts the action to the fictional and whimsical mini-kingdom of San Sogno.
Subject to change.
Dramma giocoso in two acts
Musical direction
Stefano Montanari
Staging
Sven-Eric Bechtolf
Stage
Rolf Glittenberg
Costumes
Marianne Glittenberg
Light
Jürgen Hoffmann
Don Ramiro
Dmitry Korchak
Dandini
Michael Arivony
Don Magnifico
Pietro Spagnoli
Angelina
Vasilisa Berzhanskaya
Clorinda
Maria Nazarova
Tisbe
Alma Neuhaus
Alidoro
Roberto Tagliavini
Contents
The list of Cinderella adaptations is long - no wonder, as generations of viewers were moved by the story of the unhappy stepdaughter, who is ultimately allowed to experience a happy ending. Why? Perhaps less because of the wealthy prince's "rescue" than because of the final affirmation that kindness and a pure heart can conquer all adversity. Gioachino Rossini secularized the fairytale-like, supernatural elements of the material and interspersed the French touching play that served as a model with socio-critical elements from the opera buffa tradition. His Cenerentola thus became a modern retelling of a well-known, old fairytale whose heroes have to prove themselves in the depths, injustices and absurdities of a disenchanted present. Musically, he created a so-called »semiseria«, i.e. a half-serious opera in which he mixed his brilliant buffo art with sentimental and occasionally even tragic tones. Sven-Eric Bechtolf's staging shifts the action to the fictional and whimsical mini-kingdom of San Sogno.
Subject to change.
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