Classical Concerts & Cultural Events in Paris – Program & Tickets

07
Sa 19:30
I Puritani
“Opera must make audiences weep, tremble and die” said Bellini to Pepoli as he set out to delve into a sombre romanticism peopled with diaphanous heroines for the subject of his libretto.
“Opera must make audiences weep, tremble and die” said Bellini to Pepoli as he set out to delve into a sombre romanticism peopled with diaphanous heroines for the subject of his libretto.
@ Chad Moore
Beginning his opera with a prelude for strings of unprecedented economy of means, in 1853, Verdi affirmed his intention of defying conventions and norms.
...
@ANDREA MESSANA
“Opera must make audiences weep, tremble and die” said Bellini to Pepoli as he set out to delve into a sombre romanticism peopled with diaphanous heroines for the subject of his libretto.
For his Madame Chrysanthème, Pierre Loti drew on memories of his own visit to Japan in 1885. When composing Madama Butterfly, Giacomo Puccini was inspired by the popular melodies and sonorities of Japanese voices.
...
@ Chad Moore
Beginning his opera with a prelude for strings of unprecedented economy of means, in 1853, Verdi affirmed his intention of defying conventions and norms.
...
“Opera must make audiences weep, tremble and die” said Bellini to Pepoli as he set out to delve into a sombre romanticism peopled with diaphanous heroines for the subject of his libretto.
@ Chad Moore
Beginning his opera with a prelude for strings of unprecedented economy of means, in 1853, Verdi affirmed his intention of defying conventions and norms.
...
For his Madame Chrysanthème, Pierre Loti drew on memories of his own visit to Japan in 1885. When composing Madama Butterfly, Giacomo Puccini was inspired by the popular melodies and sonorities of Japanese voices.
...
@ANDREA MESSANA
“Opera must make audiences weep, tremble and die” said Bellini to Pepoli as he set out to delve into a sombre romanticism peopled with diaphanous heroines for the subject of his libretto.
@ Chad Moore
Beginning his opera with a prelude for strings of unprecedented economy of means, in 1853, Verdi affirmed his intention of defying conventions and norms.
...
@JULIEN BENHAMOU
A leading figure of contemporary photography, Japanese visual artist Hiroshi Sugimoto sounds out a changing world and explores the passage of time. Invited for the first time to the Paris Opera, he is joining forces with the choreographer Alessio Silvestrin, a colleague of William Forsythe, for a new production with the dancers of the Company.
...
@JULIEN BENHAMOU
A leading figure of contemporary photography, Japanese visual artist Hiroshi Sugimoto sounds out a changing world and explores the passage of time. Invited for the first time to the Paris Opera, he is joining forces with the choreographer Alessio Silvestrin, a colleague of William Forsythe, for a new production with the dancers of the Company.
...
@ANDREA MESSANA
“Opera must make audiences weep, tremble and die” said Bellini to Pepoli as he set out to delve into a sombre romanticism peopled with diaphanous heroines for the subject of his libretto.
@JULIEN BENHAMOU
A leading figure of contemporary photography, Japanese visual artist Hiroshi Sugimoto sounds out a changing world and explores the passage of time. Invited for the first time to the Paris Opera, he is joining forces with the choreographer Alessio Silvestrin, a colleague of William Forsythe, for a new production with the dancers of the Company.
...
@ Chad Moore
Beginning his opera with a prelude for strings of unprecedented economy of means, in 1853, Verdi affirmed his intention of defying conventions and norms.
...
A masterpiece of the Enlightenment, Les Indes galantes is a sparkling entertainment. Yet Rameau’s first opera‑ballet also testifies to the ambiguous view held by Europeans concerning other peoples – Turks, Incas, Persians, “Savages”…
@JULIEN BENHAMOU
A leading figure of contemporary photography, Japanese visual artist Hiroshi Sugimoto sounds out a changing world and explores the passage of time. Invited for the first time to the Paris Opera, he is joining forces with the choreographer Alessio Silvestrin, a colleague of William Forsythe, for a new production with the dancers of the Company.
...
A masterpiece of the Enlightenment, Les Indes galantes is a sparkling entertainment. Yet Rameau’s first opera‑ballet also testifies to the ambiguous view held by Europeans concerning other peoples – Turks, Incas, Persians, “Savages”…
@ Chad Moore
Beginning his opera with a prelude for strings of unprecedented economy of means, in 1853, Verdi affirmed his intention of defying conventions and norms.
...
“Opera must make audiences weep, tremble and die” said Bellini to Pepoli as he set out to delve into a sombre romanticism peopled with diaphanous heroines for the subject of his libretto.
@JULIEN BENHAMOU
A leading figure of contemporary photography, Japanese visual artist Hiroshi Sugimoto sounds out a changing world and explores the passage of time. Invited for the first time to the Paris Opera, he is joining forces with the choreographer Alessio Silvestrin, a colleague of William Forsythe, for a new production with the dancers of the Company.
...
@IAN PATRICK
A masterpiece of the Enlightenment, Les Indes galantes is a sparkling entertainment. Yet Rameau’s first opera‑ballet also testifies to the ambiguous view held by Europeans concerning other peoples – Turks, Incas, Persians, “Savages”…