18
Su 17:00
Götterdämmerung

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@Max Brunnert
The third day of the ‘Ring des Nibelungen’ begins with Erda’s daughters, the Norns, reminding us of the fateful deeds of times past. They are compelled by a corrupt world to weave their fateful threads together until they are tangled in a kind of Gordian knot, a web of power, greed, guilt and transgression.
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Jealousy is the deadly poison that the Ensign Iago feeds his General Otello drop by drop. Otello is at the peak of his fame. He has power, charisma, popular acclaim and the love of the beautiful Desdemona.
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La Cenerentola is what Rossini calls Cinderella in his opera of the same name. So she too has a hard-hearted step-father and two resentful and self-centred step-sisters who make life difficult for her.
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Jealousy is the deadly poison that the Ensign Iago feeds his General Otello drop by drop. Otello is at the peak of his fame. He has power, charisma, popular acclaim and the love of the beautiful Desdemona.
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NEW WORLD (URAUFFÜHRUNG) Robert Binet
THE WAY EVER LASTING (URAUFFÜHRUNG) Natalia Horecna
FANTAISIES (URAUFFÜHRUNG) Remus Şucheană
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It starts with a thunderstorm: cineasts will feel themselves reminded of the film classic “The Rocky Horror Picture Show” when Zerlina and Masetto, wet through, seek shelter in a haunted house and thereby burst in on the legend of Don Juan.
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@Max Brunnert
The third day of the ‘Ring des Nibelungen’ begins with Erda’s daughters, the Norns, reminding us of the fateful deeds of times past. They are compelled by a corrupt world to weave their fateful threads together until they are tangled in a kind of Gordian knot, a web of power, greed, guilt and transgression.
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PETRUSCHKA Igor Strawinsky

L'ENFANT ET LES SORTILÈGES Maurice Ravel
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NEW WORLD (URAUFFÜHRUNG) Robert Binet
THE WAY EVER LASTING (URAUFFÜHRUNG) Natalia Horecna
FANTAISIES (URAUFFÜHRUNG) Remus Şucheană
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Wolfgang Amadeus Mozart’s final and most successful opera was always known as a “mechanical opera” because of its technical demands. Barrie Kosky and the British theatre company 1927 have translated its visual character for our own time: the performers interact with a hand-drawn live animation ‘Magic Flute’ film to become part of this fairy tale world.
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@Hans Jörg Michel
Everyone knows the story of the two poor broom-maker’s children who lose their way in the forest and fall into the clutches of the witch Rosina Leckermaul. Humperdinck’s ‘Hänsel und Gretel’ in the staging by Andreas Meyer-Hanno has been a permanent fixture in the Deutsche Oper am Rhein’s repertoire since 1969 and it is impossible to think of New Year without it.
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