Il ritorno d'Ulisse in patria - Schedule, Program & Tickets
Il ritorno d'Ulisse in patria
Text by Giacomo Badoaro
Opera in a prologue and three acts
Musical direction
Pablo Heras-Casado
Staging
Jossi Wieler
Sergio Morabito
Stage & Costumes
Anna Viebrock
Co-set designer
Torsten Köpf
Video
Tobias Dusche
Ulisse
Georg Nigl
Penelope
Kate Lindsey
Telemaco
Josh Lovell
Eurimaco / Anfinomo
Hiroshi Amako
Nettuno / Antinoo / Il Tempo
Andrea Mastroni
Iro / L'umana fragilità 2
Jörg Schneider
Ericlea / L'umana fragilità 1
Helene Schneiderman
Contents
With Il ritorno d'Ulisse in patria, the Vienna State Opera completes the Monteverdi cycle that it opened in the past two seasons with L'incoronazione di Poppea and La favola di Orfeo. The relationship between the Ritorno and Vienna is particularly close, since the only surviving handwritten score by a copyist was only identified in the second half of the 19th century in the holdings of the former Leopold I bedroom chamber library; since the second half of the 20th century, Monteverdi's authorship has been recognized without a doubt. It was not possible to determine whether the copy of the score was expressly commissioned by the Habsburgs or whether it was purchased in Italy. There is also no indication that this score was used in connection with a performance.
Subject to change.
Opera in a prologue and three acts
Musical direction
Pablo Heras-Casado
Staging
Jossi Wieler
Sergio Morabito
Stage & Costumes
Anna Viebrock
Co-set designer
Torsten Köpf
Video
Tobias Dusche
Ulisse
Georg Nigl
Penelope
Kate Lindsey
Telemaco
Josh Lovell
Eurimaco / Anfinomo
Hiroshi Amako
Nettuno / Antinoo / Il Tempo
Andrea Mastroni
Iro / L'umana fragilità 2
Jörg Schneider
Ericlea / L'umana fragilità 1
Helene Schneiderman
Contents
With Il ritorno d'Ulisse in patria, the Vienna State Opera completes the Monteverdi cycle that it opened in the past two seasons with L'incoronazione di Poppea and La favola di Orfeo. The relationship between the Ritorno and Vienna is particularly close, since the only surviving handwritten score by a copyist was only identified in the second half of the 19th century in the holdings of the former Leopold I bedroom chamber library; since the second half of the 20th century, Monteverdi's authorship has been recognized without a doubt. It was not possible to determine whether the copy of the score was expressly commissioned by the Habsburgs or whether it was purchased in Italy. There is also no indication that this score was used in connection with a performance.
Subject to change.
There are no products matching the selection.