Tosca - Spielplan, Programm & Tickets kaufen
Tosca
MELODRAMMA EN TROIS ACTES (1900)
MUSIC BY GIACOMO PUCCINI (1858-1924)
LIBRETTO BY GIUSEPPE GIACOSA AND LUIGI ILLICA
BASED ON VICTORIEN SARDOU'S PLAY
Performed in Italian
Daniel Oren Conductor
Evelino Pidò (13 au 28 nov) Conductor
Pierre Audi Stage director
Christof Hetzer Sets
Robby Duiveman Costumes
Jean Kalman Lighting
Klaus Bertisch Dramaturgy
Martina Serafin (A) : Floria Tosca
Oksana Dyka (B) : Floria Tosca
Béatrice Uria-Monzon (C) : Floria Tosca
Marcelo Alvarez (A) : Mario Cavaradossi
Marco Berti (B) : Mario Cavaradossi
Massimo Giordano (C) : Mario Cavaradossi
Ludovic Tézier (10, 13, 16, 19, 22 Oct) : Scarpia
George Gagnidze (24, 27 Oct, 1, 8, 12 Nov) : Scarpia
Sebastian Catana (26, 29 Oct, 4, 10, 13 Nov) : Scarpia
Sergey Murzaev (15 to 28 Nov) : Scarpia
Wojtek Smilek : Cesare Angelotti
Carlo Cigni (8 au 28 nov) : Cesare Angelotti
Carlo Bosi : Spoletta
Eric Huchet (1 au 28 nov) : Spoletta
André Heyboer : Sciarrone
Francis Dudziak (10, 13, 16, 19, 22, 24, 26, 27, 29 oct) : Il Sagrestano
Luciano Di Pasquale (1, 4, 8, 10, 12, 13, 15, 17, 21, 25, 28 nov) : Il Sagrestano
Andrea Nelli : Un carceriere
Paris Opera Orchestra and Chorus
Maîtrise des Hauts-De-Seine / Paris Opera children's Chorus
(A) 10, 13, 16, 19, 22, 26 OCTOBer
(B) 24, 27 OCTOBER, 1st, 8, 12, 17, 21, 25, 28 NOVEMBER
(C) 29 OCTOBER, 4, 10, 13, 15 NOVEMBER
A singer in love, passionate, jealous and impulsive; a romantic painter, an idealist and a defender of liberty; a police chief with a lust for flesh, power and blood, ready to do anything to achieve his ends. Puccini artfully combines the ingredients of a melodrama written for Sarah Bernhardt and comes up with what might be called the opera of operas, a spectacle at once primitive and decadent. In a mythical yet real Rome, from the shadows of the church of Sant' Andrea della Valle to the terrace of Castello Sant' Angelo, passions collide and tear all apart, mingling the erotic with the sacred, love with possession, theatre with life. Nothing is what it seems in Tosca: beautiful women who come to pray are conspirators, defeats are victories and mock executions are real. A spectacular work which captures the essence of opera as few others do.
Pierre Audi signs a new production of this violent and passionate work for the Paris Opera.
MUSIC BY GIACOMO PUCCINI (1858-1924)
LIBRETTO BY GIUSEPPE GIACOSA AND LUIGI ILLICA
BASED ON VICTORIEN SARDOU'S PLAY
Performed in Italian
Daniel Oren Conductor
Evelino Pidò (13 au 28 nov) Conductor
Pierre Audi Stage director
Christof Hetzer Sets
Robby Duiveman Costumes
Jean Kalman Lighting
Klaus Bertisch Dramaturgy
Martina Serafin (A) : Floria Tosca
Oksana Dyka (B) : Floria Tosca
Béatrice Uria-Monzon (C) : Floria Tosca
Marcelo Alvarez (A) : Mario Cavaradossi
Marco Berti (B) : Mario Cavaradossi
Massimo Giordano (C) : Mario Cavaradossi
Ludovic Tézier (10, 13, 16, 19, 22 Oct) : Scarpia
George Gagnidze (24, 27 Oct, 1, 8, 12 Nov) : Scarpia
Sebastian Catana (26, 29 Oct, 4, 10, 13 Nov) : Scarpia
Sergey Murzaev (15 to 28 Nov) : Scarpia
Wojtek Smilek : Cesare Angelotti
Carlo Cigni (8 au 28 nov) : Cesare Angelotti
Carlo Bosi : Spoletta
Eric Huchet (1 au 28 nov) : Spoletta
André Heyboer : Sciarrone
Francis Dudziak (10, 13, 16, 19, 22, 24, 26, 27, 29 oct) : Il Sagrestano
Luciano Di Pasquale (1, 4, 8, 10, 12, 13, 15, 17, 21, 25, 28 nov) : Il Sagrestano
Andrea Nelli : Un carceriere
Paris Opera Orchestra and Chorus
Maîtrise des Hauts-De-Seine / Paris Opera children's Chorus
(A) 10, 13, 16, 19, 22, 26 OCTOBer
(B) 24, 27 OCTOBER, 1st, 8, 12, 17, 21, 25, 28 NOVEMBER
(C) 29 OCTOBER, 4, 10, 13, 15 NOVEMBER
A singer in love, passionate, jealous and impulsive; a romantic painter, an idealist and a defender of liberty; a police chief with a lust for flesh, power and blood, ready to do anything to achieve his ends. Puccini artfully combines the ingredients of a melodrama written for Sarah Bernhardt and comes up with what might be called the opera of operas, a spectacle at once primitive and decadent. In a mythical yet real Rome, from the shadows of the church of Sant' Andrea della Valle to the terrace of Castello Sant' Angelo, passions collide and tear all apart, mingling the erotic with the sacred, love with possession, theatre with life. Nothing is what it seems in Tosca: beautiful women who come to pray are conspirators, defeats are victories and mock executions are real. A spectacular work which captures the essence of opera as few others do.
Pierre Audi signs a new production of this violent and passionate work for the Paris Opera.
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