01
Sa 19:30
James Brown trug Lockenwickler
Tickets
(C) Kammerspiele Wien
If you want to sing, then sing! But why do you have to be someone else?
(C) Kammerspiele Wien
If you want to sing, then sing! But why do you have to be someone else?
© Kammerspiele
Regie Folke Braband
Bühnenbild und Kostüme Stephan Dietrich
Dramaturgie Leonie Seibold
...
(C) Kammerspiele Wien
If you want to sing, then sing! But why do you have to be someone else?
There was such blissful peace here,
a peace of God,
you just have
to earning
thought, and
now comes on
once one
therefore with
eight thousend
dead -
© Kammerspiele Wien
The darling of the audience, Marika Lichter, searches for traces of the family past, which is more than just a personal discussion. The extraordinary evening of theater is a homage to all those who came before, an examination of the terms "home" and "at home", an investigation of the phenomenon of "being jewish" and a declaration of love for life.
There was such blissful peace here,
a peace of God,
you just have
to earning
thought, and
now comes on
once one
therefore with
eight thousend
dead -
I want to die a decent human being, the way I lived.
Richard Gaertner
I want to die a decent human being, the way I lived.
Richard Gaertner
(C) Kammerspiele Wien
freely edited by Torsten Fischer

SORIN: It doesn't work without theater.
TREPLYOV: We need new forms, namely in the theater, in politics, in coexistence and in love.
© Theater in der Josefstadt
Deutschsprachige Erstaufführung
ca. 1 Stunde, 40 Minuten, keine Pause
In der Übersetzung von Michael Walter / Inspiriert durch Henri Becques "La Parisienne"
...
© Kammerspiele
Lulu is one of the best-known and most discussed female characters in drama literature. The transformation of the young Lulu from a provocative Lolita figure from the gutter to the femme fatale of the Parisian demimonde excited the minds of the Wilhelmine era and was the reason for three court hearings. Picked up from the street by her lover, she is married off to two men one after the other. Both try to shape her according to their own ideas. Lulu longs for love in vain and is broken by the fact that she is only seen as an object of desire.
© Kammerspiele
Lulu is one of the best-known and most discussed female characters in drama literature. The transformation of the young Lulu from a provocative Lolita figure from the gutter to the femme fatale of the Parisian demimonde excited the minds of the Wilhelmine era and was the reason for three court hearings. Picked up from the street by her lover, she is married off to two men one after the other. Both try to shape her according to their own ideas. Lulu longs for love in vain and is broken by the fact that she is only seen as an object of desire.
© Kammerspiele
Lulu is one of the best-known and most discussed female characters in drama literature. The transformation of the young Lulu from a provocative Lolita figure from the gutter to the femme fatale of the Parisian demimonde excited the minds of the Wilhelmine era and was the reason for three court hearings. Picked up from the street by her lover, she is married off to two men one after the other. Both try to shape her according to their own ideas. Lulu longs for love in vain and is broken by the fact that she is only seen as an object of desire.
(C) Kammerspiele Wien
If you want to sing, then sing! But why do you have to be someone else?
(C) Kammerspiele Wien
If you want to sing, then sing! But why do you have to be someone else?
(C) Kammerspiele Wien
If you want to sing, then sing! But why do you have to be someone else?
There was such blissful peace here,
a peace of God,
you just have
to earning
thought, and
now comes on
once one
therefore with
eight thousend
dead -
I want to die a decent human being, the way I lived.
Richard Gaertner
(C) Kammerspiele Wien
“Here I stand at the marks of my days” – this line of poetry, her first name and her life dates are everything that the probably first international film star from Germany wanted to see on his gravestone. We're talking about none other than Marlene Dietrich.
(C) Kammerspiele Wien
“Here I stand at the marks of my days” – this line of poetry, her first name and her life dates are everything that the probably first international film star from Germany wanted to see on his gravestone. We're talking about none other than Marlene Dietrich.
© Kammerspiele
You can't rely on the rags in the shops.
The groom

In this early work, Bertolt Brecht humorously describes how a wedding celebration gets completely out of control - and reveals himself to be an admirer of Karl Valentin.
© Kammerspiele
You can't rely on the rags in the shops.
The groom

In this early work, Bertolt Brecht humorously describes how a wedding celebration gets completely out of control - and reveals himself to be an admirer of Karl Valentin.
There was such blissful peace here,
a peace of God,
you just have
to earning
thought, and
now comes on
once one
therefore with
eight thousend
dead -
(C) Kammerspiele Wien
freely edited by Torsten Fischer

SORIN: It doesn't work without theater.
TREPLYOV: We need new forms, namely in the theater, in politics, in coexistence and in love.
(C) Kammerspiele Wien
If you want to sing, then sing! But why do you have to be someone else?
© Kammerspiele
Lulu is one of the best-known and most discussed female characters in drama literature. The transformation of the young Lulu from a provocative Lolita figure from the gutter to the femme fatale of the Parisian demimonde excited the minds of the Wilhelmine era and was the reason for three court hearings. Picked up from the street by her lover, she is married off to two men one after the other. Both try to shape her according to their own ideas. Lulu longs for love in vain and is broken by the fact that she is only seen as an object of desire.
© Kammerspiele
Regie Folke Braband
Bühnenbild und Kostüme Stephan Dietrich
Dramaturgie Leonie Seibold
...
© Kammerspiele Wien
Lesung
© Kammerspiele Wien
The darling of the audience, Marika Lichter, searches for traces of the family past, which is more than just a personal discussion. The extraordinary evening of theater is a homage to all those who came before, an examination of the terms "home" and "at home", an investigation of the phenomenon of "being jewish" and a declaration of love for life.