Ich hab (k)ein Heimatland
Susanne F. Wolf & Marika Lichter
- Not available -
The darling of the audience, Marika Lichter, searches for traces of the family past, which is more than just a personal discussion. The extraordinary evening of theater is a homage to all those who came before, an examination of the terms "home" and "at home", an investigation of the phenomenon of "being jewish" and a declaration of love for life.
Engel der Dämmerung. Marlene Dietrich
Torsten Fischer / Herbert Schäfer
- Not available -
“Here I stand at the marks of my days” – this line of poetry, her first name and her life dates are everything that the probably first international film star from Germany wanted to see on his gravestone. We're talking about none other than Marlene Dietrich.
“Here I stand at the marks of my days” – this line of poetry, her first name and her life dates are everything that the probably first international film star from Germany wanted to see on his gravestone. We're talking about none other than Marlene Dietrich.
Lulu is one of the best-known and most discussed female characters in drama literature. The transformation of the young Lulu from a provocative Lolita figure from the gutter to the femme fatale of the Parisian demimonde excited the minds of the Wilhelmine era and was the reason for three court hearings. Picked up from the street by her lover, she is married off to two men one after the other. Both try to shape her according to their own ideas. Lulu longs for love in vain and is broken by the fact that she is only seen as an object of desire.
Engel der Dämmerung. Marlene Dietrich
Torsten Fischer / Herbert Schäfer
- Not available -
“Here I stand at the marks of my days” – this line of poetry, her first name and her life dates are everything that the probably first international film star from Germany wanted to see on his gravestone. We're talking about none other than Marlene Dietrich.
Lulu is one of the best-known and most discussed female characters in drama literature. The transformation of the young Lulu from a provocative Lolita figure from the gutter to the femme fatale of the Parisian demimonde excited the minds of the Wilhelmine era and was the reason for three court hearings. Picked up from the street by her lover, she is married off to two men one after the other. Both try to shape her according to their own ideas. Lulu longs for love in vain and is broken by the fact that she is only seen as an object of desire.
Deutschsprachige Erstaufführung
ca. 1 Stunde, 40 Minuten, keine Pause
In der Übersetzung von Michael Walter / Inspiriert durch Henri Becques "La Parisienne"
...
The fact that laughing at grievances can be liberating without leading to reality-displacing cheerfulness is due to the high quality of Heinrich von Kleist's classic comedy. Even if the comedy had its world premiere more than 200 years ago, the facts dealt with in it seem almost timeless: Here a person tries with vehement audacity to secure his position of power. The truth becomes irrelevant.
Deutschsprachige Erstaufführung
ca. 1 Stunde, 40 Minuten, keine Pause
In der Übersetzung von Michael Walter / Inspiriert durch Henri Becques "La Parisienne"
...
Lulu is one of the best-known and most discussed female characters in drama literature. The transformation of the young Lulu from a provocative Lolita figure from the gutter to the femme fatale of the Parisian demimonde excited the minds of the Wilhelmine era and was the reason for three court hearings. Picked up from the street by her lover, she is married off to two men one after the other. Both try to shape her according to their own ideas. Lulu longs for love in vain and is broken by the fact that she is only seen as an object of desire.