Mozart's Così fan tutte, ossia La scuola degli amanti (All Women Do It or The School of Lovers) is the last of three operas that were the result of the composer's collaboration with librettist Lorenzo Da Ponte
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The remake of the popular ballet “Cinderella” by the world-famous French choreographer Jean-Christophe Maillot to the music of Sergei Prokofiev reflects a dramaturgical line of the Czech National Ballet: the effort to bring back to the stage performances that have become very popular in the past because they have never lost their quality and meaning, their artistic value and their current message
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The remake of the popular ballet “Cinderella” by the world-famous French choreographer Jean-Christophe Maillot to the music of Sergei Prokofiev reflects a dramaturgical line of the Czech National Ballet: the effort to bring back to the stage performances that have become very popular in the past because they have never lost their quality and meaning, their artistic value and their current message
...
The remake of the popular ballet “Cinderella” by the world-famous French choreographer Jean-Christophe Maillot to the music of Sergei Prokofiev reflects a dramaturgical line of the Czech National Ballet: the effort to bring back to the stage performances that have become very popular in the past because they have never lost their quality and meaning, their artistic value and their current message
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Smetana and the librettist Karel Sabina masterfully poked fun at everyone who expected the “National Opera” to be an idyllic picture of the Czech countryside with its virtuous and high-moral residents
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Mozart wrote The Magic Flute at the age of 35. The play was intended for ordinary visitors to the Theater an der Wien, where it premiered on September 30, 1791, just three months before the composer's untimely death
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