Stories in miniature tell of togetherness and opposition, of freedom and dependency, attachment and separation, devotion and division - sometimes full of existential force, sometimes full of delicately spun poetry, sometimes full of joie de vivre.
Mozart's "The Magic Flute" is a collective cultural heritage and the most-performed opera of all. It combines magic fairy tales and educational novels, Masonic symbolism and the tradition of the Viennese suburban theater from the 18th century. It is enigmatic and contradictory, and that is its quality. At the Vienna Volksoper, Mozart's universal work is a fixed star in the repertoire.
Traveling to the moon is one of mankind's greatest dreams. Jacques Offenbach turned it into a “science fiction opera” with enchanting music. In a production created for the whole family by the French director and costume designer Laurent Pelly, this work will be shown for the first time at the Vienna Volksoper. "Set the stage free!" is the motto for the Junge Volksoper, because the stars of this production are the children's choir and the youth choir as well as the opera studio - i.e. the youngest members of our ensemble!
Stories in miniature tell of togetherness and opposition, of freedom and dependency, attachment and separation, devotion and division - sometimes full of existential force, sometimes full of delicately spun poetry, sometimes full of joie de vivre.
In biographical stages, Dubarry tells the social ascent of the working-class girl Jeanne Beçu to become the wealthy mistress of Louis XV. and still raises current questions: What losses does it experience on the way up and how far does it corrupt itself?
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Mozart's "The Magic Flute" is a collective cultural heritage and the most-performed opera of all. It combines magic fairy tales and educational novels, Masonic symbolism and the tradition of the Viennese suburban theater from the 18th century. It is enigmatic and contradictory, and that is its quality. At the Vienna Volksoper, Mozart's universal work is a fixed star in the repertoire.
Stories in miniature tell of togetherness and opposition, of freedom and dependency, attachment and separation, devotion and division - sometimes full of existential force, sometimes full of delicately spun poetry, sometimes full of joie de vivre.
In biographical stages, Dubarry tells the social ascent of the working-class girl Jeanne Beçu to become the wealthy mistress of Louis XV. and still raises current questions: What losses does it experience on the way up and how far does it corrupt itself?
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A piece with music in a prelude and eight scenes
based on John Gay's The Beggar's Opera
by Bertolt Brecht (lyrics) and Kurt Weill (music)
with the collaboration of Elisabeth Hauptmann
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based on John Gay's The Beggar's Opera
by Bertolt Brecht (lyrics) and Kurt Weill (music)
with the collaboration of Elisabeth Hauptmann
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Ruth Brauer-Kvam: “No one shaped pre-war operetta like Fritzi Massary. The small, inconspicuous Viennese Jew fought her way up to the Olympus of operetta like no other
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In biographical stages, Dubarry tells the social ascent of the working-class girl Jeanne Beçu to become the wealthy mistress of Louis XV. and still raises current questions: What losses does it experience on the way up and how far does it corrupt itself?
...
...
"Happy is he who forgets what cannot be changed!" It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal bat.
Mozart's "The Magic Flute" is a collective cultural heritage and the most-performed opera of all. It combines magic fairy tales and educational novels, Masonic symbolism and the tradition of the Viennese suburban theater from the 18th century. It is enigmatic and contradictory, and that is its quality. At the Vienna Volksoper, Mozart's universal work is a fixed star in the repertoire.
When Maria is released from prison, she returns to her sister Martha. Martha runs a home for unemployed and homeless women that lives on donations and small miracles
...
...
Traveling to the moon is one of mankind's greatest dreams. Jacques Offenbach turned it into a “science fiction opera” with enchanting music. In a production created for the whole family by the French director and costume designer Laurent Pelly, this work will be shown for the first time at the Vienna Volksoper. "Set the stage free!" is the motto for the Junge Volksoper, because the stars of this production are the children's choir and the youth choir as well as the opera studio - i.e. the youngest members of our ensemble!
When Maria is released from prison, she returns to her sister Martha. Martha runs a home for unemployed and homeless women that lives on donations and small miracles
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...
19
We 11:00
Die Zauberflöte
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
- Not available -
Mozart's "The Magic Flute" is a collective cultural heritage and the most-performed opera of all. It combines magic fairy tales and educational novels, Masonic symbolism and the tradition of the Viennese suburban theater from the 18th century. It is enigmatic and contradictory, and that is its quality. At the Vienna Volksoper, Mozart's universal work is a fixed star in the repertoire.
Traveling to the moon is one of mankind's greatest dreams. Jacques Offenbach turned it into a “science fiction opera” with enchanting music. In a production created for the whole family by the French director and costume designer Laurent Pelly, this work will be shown for the first time at the Vienna Volksoper. "Set the stage free!" is the motto for the Junge Volksoper, because the stars of this production are the children's choir and the youth choir as well as the opera studio - i.e. the youngest members of our ensemble!
When Maria is released from prison, she returns to her sister Martha. Martha runs a home for unemployed and homeless women that lives on donations and small miracles
...
...
Mozart's "The Magic Flute" is a collective cultural heritage and the most-performed opera of all. It combines magic fairy tales and educational novels, Masonic symbolism and the tradition of the Viennese suburban theater from the 18th century. It is enigmatic and contradictory, and that is its quality. At the Vienna Volksoper, Mozart's universal work is a fixed star in the repertoire.
"Happy is he who forgets what cannot be changed!" It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal bat.
When Maria is released from prison, she returns to her sister Martha. Martha runs a home for unemployed and homeless women that lives on donations and small miracles
...
...
25
Tu 11:00
Die Reise zum Mond
Jacques Offenbach
Jacques Offenbach
- Not available -
Traveling to the moon is one of mankind's greatest dreams. Jacques Offenbach turned it into a “science fiction opera” with enchanting music. In a production created for the whole family by the French director and costume designer Laurent Pelly, this work will be shown for the first time at the Vienna Volksoper. "Set the stage free!" is the motto for the Junge Volksoper, because the stars of this production are the children's choir and the youth choir as well as the opera studio - i.e. the youngest members of our ensemble!
27
Th 19:30
Konzert: Gulda / Prokofjew / Schubert
Volksoper, Währingerstrasse 78, 1090 Vienna
Volksoper, Währingerstrasse 78, 1090 Vienna
Friedrich Gulda (1930 –2000) Konzert für Violoncello und Blasorchester
Sergej Prokofjew: Ouvertüre über hebräische Themen, op. 34
Franz Schubert (1797–1828): Symphonie Nr. 3 D-Dur D 200
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Sergej Prokofjew: Ouvertüre über hebräische Themen, op. 34
Franz Schubert (1797–1828): Symphonie Nr. 3 D-Dur D 200
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Mozart's "The Magic Flute" is a collective cultural heritage and the most-performed opera of all. It combines magic fairy tales and educational novels, Masonic symbolism and the tradition of the Viennese suburban theater from the 18th century. It is enigmatic and contradictory, and that is its quality. At the Vienna Volksoper, Mozart's universal work is a fixed star in the repertoire.
29
Sa 19:30
Konzert: Gulda / Prokofjew / Schubert
Volksoper, Währingerstrasse 78, 1090 Vienna
Volksoper, Währingerstrasse 78, 1090 Vienna
Friedrich Gulda (1930 –2000) Konzert für Violoncello und Blasorchester
Sergej Prokofjew: Ouvertüre über hebräische Themen, op. 34
Franz Schubert (1797–1828): Symphonie Nr. 3 D-Dur D 200
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Sergej Prokofjew: Ouvertüre über hebräische Themen, op. 34
Franz Schubert (1797–1828): Symphonie Nr. 3 D-Dur D 200
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When Maria is released from prison, she returns to her sister Martha. Martha runs a home for unemployed and homeless women that lives on donations and small miracles
...
...