The triumph of drag queens at the Volksoper began as early as 1991, when nightclub star Zaza – Albin in his middle-class life – first entered the stage together with his partner George in La Cage aux Folles: “I am what I am, and what I am is unusual.” The performances were stormed, the play was restaged by Melissa King in 2021/22.
"Happy is he who forgets what cannot be changed!" It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal bat.
Ruth Brauer-Kvam: “No one shaped pre-war operetta like Fritzi Massary. The small, inconspicuous Viennese Jew fought her way up to the Olympus of operetta like no other
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"Happy is he who forgets what cannot be changed!" It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal bat.
Offenbach has none of the sublime world of myths of earlier settings. In his Orpheus in the Underworld, premiered in 1858 in the Paris theater of the "Bouffes-Parisiens", we experience Orpheus as a boring music teacher and Eurydice as his annoyed wife
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The famous chansonnière Sylva is not allowed to marry her noble lover Edwin. His parents arrange for him to be drafted into the army and get him engaged to a countess. The chansonnière suddenly appears at the engagement party
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In Magda's salon, the poet Prunier provokes those present with his ideas about love. Financially dependent on her rich lover Rambaldo, Magda believes in romantic love
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The famous chansonnière Sylva is not allowed to marry her noble lover Edwin. His parents arrange for him to be drafted into the army and get him engaged to a countess. The chansonnière suddenly appears at the engagement party
...
The triumph of drag queens at the Volksoper began as early as 1991, when nightclub star Zaza – Albin in his middle-class life – first entered the stage together with his partner George in La Cage aux Folles: “I am what I am, and what I am is unusual.” The performances were stormed, the play was restaged by Melissa King in 2021/22.
Stories in miniature tell of togetherness and opposition, of freedom and dependency, attachment and separation, devotion and division - sometimes full of existential force, sometimes full of delicately spun poetry, sometimes full of joie de vivre.
The triumph of drag queens at the Volksoper began as early as 1991, when nightclub star Zaza – Albin in his middle-class life – first entered the stage together with his partner George in La Cage aux Folles: “I am what I am, and what I am is unusual.” The performances were stormed, the play was restaged by Melissa King in 2021/22.
The famous chansonnière Sylva is not allowed to marry her noble lover Edwin. His parents arrange for him to be drafted into the army and get him engaged to a countess. The chansonnière suddenly appears at the engagement party
...
Stories in miniature tell of togetherness and opposition, of freedom and dependency, attachment and separation, devotion and division - sometimes full of existential force, sometimes full of delicately spun poetry, sometimes full of joie de vivre.
The triumph of drag queens at the Volksoper began as early as 1991, when nightclub star Zaza – Albin in his middle-class life – first entered the stage together with his partner George in La Cage aux Folles: “I am what I am, and what I am is unusual.” The performances were stormed, the play was restaged by Melissa King in 2021/22.
Stories in miniature tell of togetherness and opposition, of freedom and dependency, attachment and separation, devotion and division - sometimes full of existential force, sometimes full of delicately spun poetry, sometimes full of joie de vivre.
The triumph of drag queens at the Volksoper began as early as 1991, when nightclub star Zaza – Albin in his middle-class life – first entered the stage together with his partner George in La Cage aux Folles: “I am what I am, and what I am is unusual.” The performances were stormed, the play was restaged by Melissa King in 2021/22.
The famous chansonnière Sylva is not allowed to marry her noble lover Edwin. His parents arrange for him to be drafted into the army and get him engaged to a countess. The chansonnière suddenly appears at the engagement party
...
The triumph of drag queens at the Volksoper began as early as 1991, when nightclub star Zaza – Albin in his middle-class life – first entered the stage together with his partner George in La Cage aux Folles: “I am what I am, and what I am is unusual.” The performances were stormed, the play was restaged by Melissa King in 2021/22.
Stories in miniature tell of togetherness and opposition, of freedom and dependency, attachment and separation, devotion and division - sometimes full of existential force, sometimes full of delicately spun poetry, sometimes full of joie de vivre.