02
Tu 19:30
Rigoletto
A grief-stricken father before the lifeless body of his child. Such is the heart-rending image evoked by the final bars of Rigoletto. Taking this drama as a point of departure, Claus Guth has conceived a production in which the buffoon sees his life pass before his eyes, a humiliating farce softened only by the presence of his daughter.
In Boris Godunov, the Tsar of all Russia is consumed with guilt and sees the ghost of the child he has had assassinated in order to seize the throne rise up again in the form of an imposter. ...
A leading light of contemporary dance and largely responsible for its emergence in Europe in the 1960s and beyond, the Nederlands Dans Theater (NDT) remains a crucible for new generations of choreographers seized with the same desire to experiment and explore new dance forms and techniques.
...
A leading light of contemporary dance and largely responsible for its emergence in Europe in the 1960s and beyond, the Nederlands Dans Theater (NDT) remains a crucible for new generations of choreographers seized with the same desire to experiment and explore new dance forms and techniques.
...
A grief-stricken father before the lifeless body of his child. Such is the heart-rending image evoked by the final bars of Rigoletto. Taking this drama as a point of departure, Claus Guth has conceived a production in which the buffoon sees his life pass before his eyes, a humiliating farce softened only by the presence of his daughter.
A leading light of contemporary dance and largely responsible for its emergence in Europe in the 1960s and beyond, the Nederlands Dans Theater (NDT) remains a crucible for new generations of choreographers seized with the same desire to experiment and explore new dance forms and techniques.
...
A leading light of contemporary dance and largely responsible for its emergence in Europe in the 1960s and beyond, the Nederlands Dans Theater (NDT) remains a crucible for new generations of choreographers seized with the same desire to experiment and explore new dance forms and techniques.
...
A leading light of contemporary dance and largely responsible for its emergence in Europe in the 1960s and beyond, the Nederlands Dans Theater (NDT) remains a crucible for new generations of choreographers seized with the same desire to experiment and explore new dance forms and techniques.
...
In Boris Godunov, the Tsar of all Russia is consumed with guilt and sees the ghost of the child he has had assassinated in order to seize the throne rise up again in the form of an imposter. ...
A leading light of contemporary dance and largely responsible for its emergence in Europe in the 1960s and beyond, the Nederlands Dans Theater (NDT) remains a crucible for new generations of choreographers seized with the same desire to experiment and explore new dance forms and techniques.
...
A grief-stricken father before the lifeless body of his child. Such is the heart-rending image evoked by the final bars of Rigoletto. Taking this drama as a point of departure, Claus Guth has conceived a production in which the buffoon sees his life pass before his eyes, a humiliating farce softened only by the presence of his daughter.
In Boris Godunov, the Tsar of all Russia is consumed with guilt and sees the ghost of the child he has had assassinated in order to seize the throne rise up again in the form of an imposter. ...
A grief-stricken father before the lifeless body of his child. Such is the heart-rending image evoked by the final bars of Rigoletto. Taking this drama as a point of departure, Claus Guth has conceived a production in which the buffoon sees his life pass before his eyes, a humiliating farce softened only by the presence of his daughter.
This tribute to the art of Balanchine brings together three works of pure dance from the choreographer’s first American period.
...
In Boris Godunov, the Tsar of all Russia is consumed with guilt and sees the ghost of the child he has had assassinated in order to seize the throne rise up again in the form of an imposter. ...
A grief-stricken father before the lifeless body of his child. Such is the heart-rending image evoked by the final bars of Rigoletto. Taking this drama as a point of departure, Claus Guth has conceived a production in which the buffoon sees his life pass before his eyes, a humiliating farce softened only by the presence of his daughter.
In Boris Godunov, the Tsar of all Russia is consumed with guilt and sees the ghost of the child he has had assassinated in order to seize the throne rise up again in the form of an imposter. ...
A grief-stricken father before the lifeless body of his child. Such is the heart-rending image evoked by the final bars of Rigoletto. Taking this drama as a point of departure, Claus Guth has conceived a production in which the buffoon sees his life pass before his eyes, a humiliating farce softened only by the presence of his daughter.
This tribute to the art of Balanchine brings together three works of pure dance from the choreographer’s first American period.
...
In Boris Godunov, the Tsar of all Russia is consumed with guilt and sees the ghost of the child he has had assassinated in order to seize the throne rise up again in the form of an imposter. ...
@ Jean-Pierre Delagarde
Kammermusikkonzerte von Musikern des Pariser Opernorchesters
A grief-stricken father before the lifeless body of his child. Such is the heart-rending image evoked by the final bars of Rigoletto. Taking this drama as a point of departure, Claus Guth has conceived a production in which the buffoon sees his life pass before his eyes, a humiliating farce softened only by the presence of his daughter.
This tribute to the art of Balanchine brings together three works of pure dance from the choreographer’s first American period.
...
@AGATHE POUPENEY
Shadowing each character of Così fan tutte, Anne Teresa De Keersmaeker intimately marries song and dance. She excels in rendering visible the music’s underlying geometry, transforming the stage of the Palais Garnier into a laboratory for lovers.
...
In Boris Godunov, the Tsar of all Russia is consumed with guilt and sees the ghost of the child he has had assassinated in order to seize the throne rise up again in the form of an imposter. ...
A grief-stricken father before the lifeless body of his child. Such is the heart-rending image evoked by the final bars of Rigoletto. Taking this drama as a point of departure, Claus Guth has conceived a production in which the buffoon sees his life pass before his eyes, a humiliating farce softened only by the presence of his daughter.
This tribute to the art of Balanchine brings together three works of pure dance from the choreographer’s first American period.
...
@AGATHE POUPENEY
Shadowing each character of Così fan tutte, Anne Teresa De Keersmaeker intimately marries song and dance. She excels in rendering visible the music’s underlying geometry, transforming the stage of the Palais Garnier into a laboratory for lovers.
...
In Boris Godunov, the Tsar of all Russia is consumed with guilt and sees the ghost of the child he has had assassinated in order to seize the throne rise up again in the form of an imposter. ...
@ANN RAY
Play, the first piece created for the Paris Opera Ballet by the Swedish choreographer Alexander Ekman, had its premiere at the Palais Garnier in December 2017.
...
Play, the first piece created for the Paris Opera Ballet by the Swedish choreographer Alexander Ekman, had its premiere at the Palais Garnier in December 2017.
...
A grief-stricken father before the lifeless body of his child. Such is the heart-rending image evoked by the final bars of Rigoletto. Taking this drama as a point of departure, Claus Guth has conceived a production in which the buffoon sees his life pass before his eyes, a humiliating farce softened only by the presence of his daughter.
Play, the first piece created for the Paris Opera Ballet by the Swedish choreographer Alexander Ekman, had its premiere at the Palais Garnier in December 2017.
...
This tribute to the art of Balanchine brings together three works of pure dance from the choreographer’s first American period.
...
@AGATHE POUPENEY
Shadowing each character of Così fan tutte, Anne Teresa De Keersmaeker intimately marries song and dance. She excels in rendering visible the music’s underlying geometry, transforming the stage of the Palais Garnier into a laboratory for lovers.
...