25
We 19:30
I Puritani

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@ANDREA MESSANA
“Opera must make audiences weep, tremble and die” said Bellini to Pepoli as he set out to delve into a sombre romanticism peopled with diaphanous heroines for the subject of his libretto.
@ Chad Moore
Beginning his opera with a prelude for strings of unprecedented economy of means, in 1853, Verdi affirmed his intention of defying conventions and norms.
...
@IAN PATRICK
A masterpiece of the Enlightenment, Les Indes galantes is a sparkling entertainment. Yet Rameau’s first opera‑ballet also testifies to the ambiguous view held by Europeans concerning other peoples – Turks, Incas, Persians, “Savages”…
@IAN PATRICK
A masterpiece of the Enlightenment, Les Indes galantes is a sparkling entertainment. Yet Rameau’s first opera‑ballet also testifies to the ambiguous view held by Europeans concerning other peoples – Turks, Incas, Persians, “Savages”…
@ Chad Moore
Beginning his opera with a prelude for strings of unprecedented economy of means, in 1853, Verdi affirmed his intention of defying conventions and norms.
...
@ANDREA MESSANA
“Opera must make audiences weep, tremble and die” said Bellini to Pepoli as he set out to delve into a sombre romanticism peopled with diaphanous heroines for the subject of his libretto.
@IAN PATRICK
A masterpiece of the Enlightenment, Les Indes galantes is a sparkling entertainment. Yet Rameau’s first opera‑ballet also testifies to the ambiguous view held by Europeans concerning other peoples – Turks, Incas, Persians, “Savages”…